German

Vita

Born in 1982 in Attendorn, Germany, Gerhard Vielhaber began his piano studies with his father, and continued with Marina Mitrusic at the Music school in Attendorn. After 1994, he received parallel instruction from Prof. Karl-Heinz Kämmerling. Under his direction, that Gerhard Vielhaber attended and graduated from the Hannover Hochschule for Music in 2006. At the University of the Arts in Berlin he is continuing his studies with Prof. Jacques Rouvier.

Gerhard Vielhaber has completed master’s courses with professors Oxana Yablonskaja, Vitaly Margulis, Felix Gottlieb and Anatol Ugorski. He is a member of the BOVIARTrio, with whom he has recorded a CD featuring the works of Beethoven and Bruch.

Gerhard Vielhaber has received many awards, including a 2005 soloist fellowship with the Deutsche Musikwettbewerb Berlin, from which institution he held a 2004 fellowship in the area of chamber music with the BOVIARTrio. Other prizes include: 2001, first prize Grotrian-Steinweg Competition, Ferdinand Trimborn Prize, Ratingen, and in 2002, the culture prize from the district of Olpe. In 2003, he won the Young Artist Award of the GWK in Munster/Westfalia and in 2005 he was a finalist in the International Tomassoni Piano Competition in Cologne. Gerhard Vielhaber has received scholarships from the Studienstiftung des Deutschen Volkes, the Jürgen Ponto Foundation, and the GWK. As a young artist, his skills were recognized by the German youth competition Jugend musiziert, where he won national first prizes in 1996 and 1999. In 1996, he was also awarded a special prize from the Deutsche Stiftung Musikleben, and the Ibach Prize. In 1997 he received international acclaim in the Czech radio competiton Concertino Praga.

As a soloist, Gerhard Vielhaber has worked with various notable orchestras. To mention a few, he has performed with the Warsaw Radio Symphony Orchestra, the WDR Radio Orchestra Cologne, the Kurpfalz Chamber Orchestra, and the National Youth Orchestra of Venezuela. Radio recordings have documented his work with the WDR, Deutschlandradio Berlin, Bayerischer Rundfunk, Deutschlandfunk, ORF and the Czech Republic Television.

 


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Gerhard Vielhaber
Klavier

CLCL 103

CÉSAR FRANCK (1822 – 1890)
Prélude, Choral et Fugue
Prélude
Choral
Fugue
04:58
07:09
07:01
VIKTOR KALABIS (*1923)
Akcenty op.26 °
Moderato
Allegro
Andantino
Andante
Agitato. Molto allegro
Adagio
Moderato
Allegro
02:26
00:59
02:32
03:22
01:06
03:40
01:46
01:59

ROBERT SCHUMANN (1810 – 1856)
Fantasie C-Dur op.17

Durchaus phantastisch
Mäßig. Durchaus energisch
Langsam getragen
13:26
08:06
11:29



° First recording / Ersteinspielung





  



Viktor Kalabis’s "Accents" op. 26 is a cycle consisting of eight short pieces for piano. They have been part of my repertoire for many years. To be honest, my first encounter with these pieces and their composer was when the fourth (Andante) and eighth (Allegro) were sent to me as required material for the international radio competition "Concertino Praga". I was 14 years old, and contemporary music was the last thing on my mind. So, I would be amiss if I spoke of “love at first sight”. In addition, at the time there were no recordings of these pieces. I had great difficulty in forming an initial impression, in particular with the Allegro (Nr. 8). Furthermore, the denoted tempo left me in a state of fear. That was the beginning of a difficult and arduous task, one that has proven to be highly beneficial to me. My fascination in these works increased daily. What I once perceived as incoherent dissonance, was later revealed in its true identity. They were studies in expression! Rhythmic energy and tonal magic, with dynamically polarized periods of eruption within a small time frame, enabled me as a shy youth to express myself emotionally in ways that I had never known before. I found less and less "refuge" in the works of Mozart, Mendelssohn, and whatever else I had been working on. In the summer of 1998 I had the good fortune to meet Viktor Kalabis, whose music exposed me to an entirely new world. In his unique style, Viktor Kalabis simply, yet elegantly, merges expressionist and impressionist elements.

Gerhard Vielhaber